This section transformed the book from a manual into a reference encyclopedia. It allowed practitioners to diagnose specific problems for specific species, reducing the mortality rate of trees in the West and fostering a higher standard of quality.
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Published in 1982 (over a decade after the first volume), Bonsai Techniques II assumes the reader already understands wiring, watering, and basic pruning. Instead, it dives into nuanced, high-level topics that define true bonsai artistry: john naka bonsai techniques 2 pdf
Naka is world-renowned for his forest compositions, most notably his masterpiece "Goshin" (Protector of the Spirit). In his advanced teachings, he details the exact mathematical and visual rules for creating a realistic forest:
: Naka details the development of the apex , branch structure, and rootage (nebari). He advocated for using soft aluminum wire to guide branches at 45-degree angles to support natural movement. This section transformed the book from a manual
Advanced styling requires invisible mechanics. Naka’s techniques show how to use wire, weights, and levers so naturally that the tree appears shaped entirely by wind, gravity, and time. Core Advanced Techniques Explored
The book itself has become a collector's item, and its value underscores its importance. Early printings, especially signed or limited-edition copies, can command significant sums. The first printing was a hardbound limited edition of only 500 copies in a slipcase, bound in dark brown leatherette, hand-numbered, and often signed by Naka himself. A copy of this type was listed for $1,360.00. Even standard later printings of the softcover 1998 edition can sell for hundreds of dollars, with signed copies fetching premium prices. Instead, it dives into nuanced, high-level topics that
Naka emphasized the "divine proportions" of a tree. In volume two, he expands heavily on the relationship between the trunk line, the apex, and branch placement.
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The book is more than just a list of techniques; it's a philosophy. Naka believed that "it must have philosophy, botany, artistry, human quality behind it to be a bonsai". This holistic approach is woven throughout the text, encouraging practitioners to see the tree not just as a plant, but as a living sculpture with its own spirit.
Stripping bark along the main trunk to simulate the harsh weathering of alpine environments.